Shadow of the Pillar at Noon, 2024
archival mat board, fiberglass, Aqua-resin, paint, paper, graphite, gouache, coupons
15 ½ x 15 ½ x 5 ¾ inches
Humpty Dumpty (Shopping Cart), 2024
Wood, epoxy clay, curtain clips, gouache, ink, paper, paint, fiberglass, Aqua-resin, archival mat board, 18 ½ x 23 ½ x 4 ½ inches
Be Good Be Good Be Good Again, 2013-2015,
CMYK halftone silkscreen, Fabriano Rosaspina, paper clips, 17.5 x 22 inches,
Varicose Blossoms for no Man, 2023
Floral wire , wire, keys, felt, ink, paper, gouache, paint, fiberglass, aqua resin, archival mat board, 32 x 13 x 7 inches
sketch for Seattle Art Museum exhibition “Les Choses”
The one about the woman who could never have nice things
wood, handblown glass, cardboard, aqua resin, fiberglass, a stick, a scrap of blue wool / 76.5 x 42 x 21 inches / 2020
detail of The one about the woman who could never have nice things
Drawing for one of the glass vessels blown for The one about the woman who could never have nice things
The farm that was there and then not
wood, plaster tape, handblown glass, wire from a spiral-bound sketchbook, Vashon clay mixed with white glue, paint / 27 x 22 x 13.5 inches / 2019- 2020
Topical Rosacea Mobile
Wood, felt, wire, epoxy clay, air dry clay, grommets, paint, felt, jewelry, mustard packet, paperclip, topical rosacea cream, chocolate coin wrapper / 21 x 11 x 13 inches / 2021 / Private Collection
A Protest is A Home Where the Mirror Returns to Look Back
wood, cardboard, handblown glass made designed by Cerny, wire, aqua resin, fiberglass, wire, paper clay / 83.5 x 16 x 20 inches / 2020
Images from studio wall + photo document of body drawings for “mom furniture” 2016
bedside table, 2021
photographs from SH T II
Showroom, Vashon Gallery, Seattle University, 2017
Two sculptures in domestic Situ
fruit pie & the history of paper (Anne Focke)
archival inkjet print, inkjet copy of a paycheck, coupon, 13x19 inches / 2015 edition of 2
in the King County Public Art Collection
Prototype for upcoming collaboration with Rite Editions, 2022
“The Ambient & The Object,” Oxbow, Seattle, WA
Pierrot
archival matboard, cardboard, plaster tape, gesso, enamel paint, wire, yarn, nail polish, Apoxie Sculpt, vinyl paint 11.5 x 10 3/4 x 16 1/4 inches / 2021
The Edith Wharton you can afford
Wood, plaster tape, textiles & found ephemera from Nancy Shaver, Apoxie Sculpt, paint / 13 x 8 x 8 inches /2021
*collaboration with the artist Nancy Shaver
assorted Holders 2017
Floor:
The one about the Greek who became something new wood, paint, fiberglass, aqua resin, paint, the brim of a straw hat / 106 x 15 x 12 inches / 2019
Wall:
There is no rhyme. There is no nursery. There is no moon. hand-painted gouache over silkscreen, assorted archival paper each sheet 18 x 12 inches / dimensions variable shown at 90 x 96 inches, 2018
Blue Screen (for sisters and friends)
Tinted aqua resin, fiberglass, wood, paper paint, fabric 97 x 102 x 22 inches, 2017
photo document of body drawings for mom furniture, 2016
Studio, 2016
Side table (pink),
aqua resin, fiberglass, wood, paper, acrylic paint / 20 ½ x 17 x 18 inches 2016-2017